Effects:
		Filter (Low-pass / High-pass / Band-pass / 72dB/oct.  and Low-pass) Isolator & Distortion Talk-Filter Flanger 8-band EQ Mid Pitch Shifter Broken Modulation Phaser Ring Modulator & High-pass Filter Decimator Low Compressor Auto-Pan Slicer Delay (Ping-Pong, Multi-tap, Reverse & High-pass Filter) Tape Echo Reverb Gate Reverb Grain Shifter Vinyl Looper Looper Forward / Reverse Four-Sample-Bank Cross Fader Roll Pad Drum1 / 2 Unison Saw Bass Noise Synthesizer & Looper Vocoder Vocoder M7
Programs:
		128
	Program Categories:
		Filter (16 types) EQ (2 types) Modulation (12 types) Compressor (2 types) LFO (25 types) Delay (16 types) Reverb (6 types) Grain Shifter (5 types) Looper (13 types) Sample Effect (7 types) Sample Bank Crossfade (4 types) Drums (6 types) Synthesizer (10 types) Vocoder (4 types)
Sampler:
	Sample Memory:
		Up to 16 beats X 4 pads at tempos of 73 BPM and higher Up to 8 beats X 4 pads at tempos of 72 BPM and lower 100 samples maximum when using SD card
	Sampling:
		16 bit, 48 kHz
	Convertors:
		24-bit A/D, D/A
Inputs:
		Mic (1/4”) with trim knob Line In L,R (RCA)
Outputs:
		Headphone (1/4” Stereo) with volume Line Out L,R (RCA)
USB:
		Type B
MIDI:
		IN/OUT
Data Storage:
		SD Card
Power Supply:
		DC 12V; 700mA
Dimensions:
		8.27" x 8.9" x 1.93" (W x D x H)
Weight:
		2.87 lbs
Accessories:
		CD-ROM (Editor/Librarian) Power supply Touchpad protective sheet

• Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
• High-resolution 24-bit/96 kHz converters for high-end audio quality
• Ultra-low latency drivers for Windows XP and Mac OS X included
• Stereo Headphone output with dedicated Level control
• Dual high-bandwidth FireWire connectors for absolute flexibility
• Powered via FireWire bus or included power adapter for use with 4-pin FireWire PCs
• Powerful DAW software included (Ableton Live Lite 4 BEHRINGER Edition, Kristal, Audacity)
• Power and FireWire status LEDs on front panel
• Standard port for Kensington security lock provided
• High-quality components and exceptionally rugged construction ensure long life
• Conceived and designed by BEHRINGER Germany

Whoever has to connect loads of equipment will find enough room on the Rox.12 USX. Professional, dynamic as well as condenser microphones with 48 V phantom power, synthesizers, drum machines, sampler and anything else can easily be connected to this core device. High-quality mic preamps, smooth sounding 3 band EQs and low-noise technology guarantee a true sound pleasure. The Rox.12 USX has been equipped with a precise 7 band stereo graphic equalizer in order to adjust the sound even more individually. The studio mixer offers 2 effect send/return channels for flexible usage of various external effect devices or equalizers. Sinn7 furthermore offers an integrated digital 24 bit multi effect processing unit: 99 high-quality effects - from reverbs through delays up to flangers - are at the sound engineer's disposal. Massive symmetric outputs vi aXLR or jacks as well as a seperate output for the control room are part of the standard equipment. For even more control it is also possible to assign single channels to two sub groups which facilitates an individual adjustment. Thanks to the colour-coded functions every hand movement is quickly where it should be. Another feature is the connection between a computer and the Rox.12: an integrated audio interface with studio quality with 16 bit / 44 kHz facilitates software sequencer's recordings and playbacks on the computer. Thus a further interface becomes unnecessary. This is also a big plus factor for live gigs including virtual instruments. Professional charakteristics at the highest quality standard at the best price!

• Compact 12 channel PRO low-noise studio mixer and USB audio interface all in one device
• Integrated 24 bit digital multi effect processor with 99 effect presets, individually adjustable
• Integrated 16 bit stereo USB audio interface with high-quality 48 kHz converters in order to carry audio signals between a computer and the Rox mixer
• Low-noise, first-class sound characteristics with a lot of headroom
• High-quality components and especially robust construction
• 4 mono mic/line inputs with optional 48 V phantom power
• 4 symmetric stereo-line inputs
• High-quality mic preamps with trim function
• Supports professional studio condenser and dynamic microphones
• 2 mono send and 2 stereo return connections in order to grind in external effect devices
• Stereo group-out output
• Seperate mono-out output
• Separate control room output, adjustable
• Sustain pedal connection
• Warm 3-band EQ per channel
• 7-band master stereo graphic equalizer
• 2 sub groups, 1 mono group
• Aux/effect loop per channel, adjustable
• Peak LED for both mic/line channels for a better supervision
• Mono channels with pan regulation, stereo channels with balance regulation
• High-capacity headphones output with volume regulation
• Especially handy potentiometers
• Precise LED volume level display
• Especially well-arranged alignment and colour-coordinated arrangement of functions guarantee quick control
• Separate symmetric master (XLR & jack) and monitor outputs (jack)
• Tape function assignable to main mix or control room

• Plug-n-Play compatible with Windows XP and Mac OS X, no further drivers necessary
• Phantom power: 48 V
• Dimensions: 433 x 95 x 378 mm
• Weight: 3.5 kg

• 200 Programs chock-full of professional effects
• 100 User program banks so you can customize to your liking
• Perfect for studios of all sizes, and musicians of all kinds 
• Up to three simultaneous effects for rich multi-effects
• Pro-grade 18-bit A-to-D and D-to-A processing ensures quality
• MIDI Input lets you change programs instantly from another source

Presets (Factory/User)

• 100/100

Digital Effects (reverb, delay, chorus, etc.)

• Rvrb; chrs; dly; flng; rtry; ptch

Simultaneous Effects

• 3

Programmable Wet/Dry/Mix

• Yes

Compare/Bypass

• N/Y

Maximum Delay Time

• 1,300 ms

Maximum Pitch Shift Range (octaves)

• ±1 octave

MIDI Real-Time Control

• Yes

Simultaneous MIDI Controls

• 2

Discrete Programming Channels

• 2

ADC/DAC

• 18-bit

Overload Warning

• 4-seg LED

Inputs

• (2) 1/4"

Outputs

• (2) 1/4"

• Complete MIDI support for use with keyboards, computers and electronic drum kits
• 233 professional sounds included 
• Built-in digital effects for added realism
• Create and save your own customized patterns and songs

• Audio Outputs:  4 (2 stereo pairs)
• Pads:  12 velocity sensitive (w/Dynamic Articulation™)
• Sample/DAC Bit Resolution:  16/18
• Sounds:  233
• Sounds Accessible via Pads:  12
• Sounds Accessible via MIDI:  120
• Polyphony:  16 voice
• Panning:  7-position user programmable
• Velocity Response:  8 loudness levels via pads, 127 via MIDI
• Timing Resolution:  96 ppq
• Time Signature Range:  1-128 beats per pattern
• Tempo Range:  20-255 bpm
• Notes/Patterns/Songs:  12,000/400 (200 user, 200 preset)/100
• Kits:  50 user, 50 preset
• MIDI Program Change Response:  Kit
• Sync:  MIDI Clock/Song Position Pointer
• Footswitch Jacks/Functions:  2; start/stop, count/A/B/fill
• Other Features:  Sound stacking, step editing, stereo samples with reverb and ambience
• Dynamic Articulation:  Modulates tone
• Power:  9 VAC External Transformer, UL and CSA Approved
• Dimensions:  (WxHxD) 9.25"x1.5"x6.5"
• Weight:  2.5 lbs

Create YOUR sound.

 

The MINIAK is a powerful performance and production synthesizer. The MINIAK empowers creative musicians with phrase and step sequencing, a built-in drum machine/rhythm sequencer, an arpeggiator, a 40-band vocoder, stereo effects, and a virtual analog synth engine developed in partnership with the world-class Alesis synth team. While the compact, portable synth shines on stage, the MINIAK is also at home in the production studio delivering 24-bit audio resolution.

The MINIAK puts up to eight multi-timbral voices at your fingertips, each with three oscillators. You can create interesting and unique sounds and take advantage of the more-than-600 preset sounds and store up to 1,000 programs in the MINIAK. The synth also has two multi-mode filters, three envelope generators, two LFOs, stereo effects, and a 40-band vocoder. On top of all of this sound-melding power, the MINIAK has a comprehensive sequencer with step and dynamic real time phrase sequencing, a drum machine/rhythm sequencer, and an arpeggiator to aid in creating the landscapes and textures you’re after.

Rounding out this complete instrument are high-resolution, 24-bit balanced 1/4" inputs and outputs. The MINIAK has a 37-key semi-weighted keyboard with velocity sensitivity for all-in-one performance. It can also be used as a sound source for MPCs, computer software, and keyboards via MIDI.


UNDER THE HOOD

A MINIAK program is a sound built from the MINIAK’s internal oscillators, filters, and envelope generators. The MINIAK’s more than 600 preset programs span the range of classic analog synthesis sounds. If you’ve heard it before, you will probably find it in the MINIAK’s presets. 

In a synth, oscillators generate raw sound. Their output is fed into the filters, whose output is fed into the amplifiers. As the signal moves along that path, you can manipulate the mix at several points and apply modulations, envelopes, and effects to create a custom palette of sounds.


SOUND GENERATION

The oscillators can produce different waveform types and shapes to create various harmonic structures, which our ears perceive as different timbres. Here are some of the waveforms you can create with the MINIAK’s oscillators:

Sine – Smooth, pure sound
Triangle – Fuller than a sine wave
Sawtooth – Harsh sonic character
Pulse – Harmonically rich, ranging from full-sounding square wave to a sharp impulse wave

The MINIAK’s oscillators can produce continuously variable waveforms, so it can can hit any point between these examples.

You can connect external audio sources – other synthesizers, mixers, guitars, and more – using the 1/4” inputs. The jacks accept either balanced or unbalanced cables. You can mix in the external audio sources with the MINIAK’s oscillators. The resulting combination is then sent through the MINIAK’s filters and effects. A special group of programs including vocoder programs exists just for use with the external inputs. 

The outputs of the oscillators, the noise generator, the ring modulator, and the external inputs are fed into a virtual mixing board called the pre-filter mix. From here, the signal hits the filters. For each source, you can specify its level and its balance: how much is sent to Filter 1 and how much is sent to Filter 2. 


FILTERING

The oscillators produce very raw sounds. To shape and fine-tune the sound, filters give you tools for dampening certain harmonics and boosting others. Filters alter the frequency content of the signal and can have a drastic effect on the sound. Each of the MINIAK’s voices contains two filters, and each filter can be one of the following different types, each with its own character and sonic flavor.

They are: Bypass, Low Pass: ob 2-pole, tb 3-pole, mg 4-pole, rp 4-pole, jp 4-pole, al 8-pole; Band Pass: ob 2-pole, al 6-pole, octave dual, band limit; High Pass: ob 2-pole, op 4-pole; three Vocal Formants, four Comb Filters, Phase Warp, Frequency, Resonance, Key Tracking, Envelope Amount, Offset, and Absolute.

After filtering, the signal is fed to the post-filter mix. For each filter output, as well as a pre-filter signal of your choice, you can specify a level and a pan.


OUTPUT PROCESSING

In the output stage, the MINIAK allows you to apply a drive effect and add some compression, distortion, or other amplification effects. The MINIAK allows you to set up twelve modulation routes. Each of these is a virtual connection between some physical or internally generated source and some program parameter. Basically, a mod route tells the synth to automatically grab a knob and tweak it while a note is playing. Although there are quite a few sources that you can use for your mods, the most common ones involve the LFOs and the envelopes.


LFOs

LFO stands for low-frequency oscillator. LFOs are not designed to produce sound, but instead to tweak a program parameter according to a looping pattern. For example, if you are looking to add vibrato, you need the pitch to continuously waver up and down. Each of the MINIAK’s voices contains two LFOs, each of which offers rate, depth, shape, and tempo sync. The MINIAK’s LFO can sync to the internal clock or any external source via MIDI.


ENVELOPES

If you hit a note on a piano, you hear a burst of sound energy as the hammer strikes the string, followed by lower level of loudness as you hold down the note and let the string ring out, which fades quickly as soon as you release the note and the damper is applied. Synthesizers model this behavior using ADSR Envelopes. ADSR stands for Attack, Decay, Sustain, and Release, and represents the different stages that the sound goes through over the life of the note. The MINIAK also has an envelope that is specifically designed for loudness, called the Amp Envelope. Envelopes are useful in all sorts of mod routes, which is why you can hook up any of the MINIAK’s envelopes to any modulatable program parameter. Each of the MINIAK’s voices contains three envelopes: Amp Envelope, Filter Envelope, and Pitch/Modulation Envelope. 


SEQUENCING

The MINIAK has extensive sequencing and arpeggiation performance capabilities. Arpeggios and sequences both respond to a key-press by playing a series of notes over a programmed rhythmic pattern. An arpeggio loops over whatever notes you are holding down on the keyboard. If you hold down a chord, the MINIAK will generate a melody by playing each note of your chord individually. A sequence has a melody line built in so you can hold down a single key and the MINIAK will play back that melody relative to that key. Pressing another key will transpose the sequence.

The MINIAK has MPC-style step sequencing and recorder-style dynamic real time phrase sequencing. There’s also a drum machine/rhythm sequencer for the built-in drum sounds.


EFFECTS

The MINIAK has a full complement of stereo effects including Chorus, Feedback, Theta Flanger (Phaser + Flanger), Thru Zero Flanger, Super Phaser, Notch Frequency, String Phaser, 40-Band Vocoder, Analysis Gain, Sibilance Boost, Band Shift, Synthesis Input, Analysis Signal In, Analysis Mix, six types of Delay, and three types of Reverbs. 


With the extensive sound generating and manipulating power of the MINIAK, the sounds you dream up are as easy to create as twisting a few knobs. And creating complete soundscapes with the sequencer and arpeggiator couldn’t be easier. Step up to the only synth with the Akai Professional name… the MINIAK.

• Eight voices, each with three oscillators
  
• Up to eight multi-timbral parts with stereo effects and 40-band vocoder
  
• Two multi-mode filters, three envelope generators, two LFOs, sample and hold, tracking generator
  
• Dynamic real-time and step sequencers, arpeggiator, and drum machine/rhythm sequencer
  
• Stereo bus effects including reverbs and delays
  
• 24-bit 1/4" balanced stereo analog outputs and inputs
  
• 37-key synth-action keyboard with velocity sensitivity
  
• More than 600 preset sounds
  
• Sound banks: bass, lead, pad, string, brass, keys, comp, drum, SFX 
  

Includes

• MINIAK synthesizer keyboard
• VPM1 gooseneck microphone
• Power supply
• Quick start guide

Synthesis:	Virtual analog (subtractive), noise generator, FM
Polyphony:	Up to 8 voices
Timbrality:	Up to 8 parts
Oscillators:	3 per voice with continuously variable waveshapes, sync, linear and exponential FM, Ring Mod, routable modulation matrix per voice
Filters:	2 multi-mode resonating filters per voice with 16 filter types
Modulation:	2 LFOs with multiple wave shapes, sample and hold, tracking generator, freely routable modulation matrix per voice
Effects:	4 drive effects, 1 per part; master effects
Sequencing:	Step sequencer, arpeggiator, drum machine/rhythm sequencer, and phrase
Program memory:	Up to 1,000 Programs and multi-timbral Multis
Velocity sensitive:	Yes
Keyboard:	37-key, semi-weighted
External control:	MIDI in/out/thru
Inputs:	2 balanced 1/4" TRS, mic
Outputs:	2 balanced 1/4" TRS, 1/4" TRS headphone
Controls:	Pitch wheel, two assignable Q-Link modulation wheels, X, Y, and Z parameter knobs, pattern play, phrase arpeggiator, latch arpeggiator, keyboard octave, tap tempo, program controls, data push-knob, config, store, master volume
Pedal Inputs:	Assignable expression pedal, sustain pedal
Weight:	12.0 lbs
Dimensions:	22.8" x 10.8" x 3.34" (L x W x H)

Main Features

•  Intuitive touch-pad interface gives you fingertip effect control in real-time.

•  The smallest body in the KAOSS PAD series.

•  Battery operation makes it an ideal choice for any location.

•  One hundred effects including filter, delay, and looper meet the needs of any musical style.

•  Numerous BPM effects are provided. You can use the "TAP/BPM button" to synchronize the mini-KP to your song’s tempo, and apply a wide range of effects to your music.

•  "FX RELEASE" function provides a natural decay when changing effects or removing your finger from the pad.

•  Hold function lets you memorize the position at which you touched the touch-pad when you release your finger.

•  Use the two memory keys A and B to store your favorite effect program settings, including the effect depth and the Hold on/off status.

mini-KP Effect List:
		LPF (Low Pass Filter), HPF (High Pass Filter), BPF+ (Band Pass Filter+), 72dB/oct LPF, LPF & Delay, HPF & Delay, BPF+ & Delay, LPF & Reverb, HPF & Reverb, BPF+ & Reverb, Morphing Filter, Radio Filter, Radio Isolator, Isolator, Isolator & Distortion, Isolator & Delay, Jet (Manual Flanger), Manual Phaser, Talk Filter, Digi Talk, Ring Mod & HPF, Pitch Shifter & HPF, Mid Pitch Shifter, Pitch Shifter & Delay, Broken Modulation, Fuzz Distortion, Decimator, Decimator & HPF, LFO LPF, LFO HPF, LFO BPF+, LFO HPF+ & Delay, Infinite LFO HPF+, Random LFO LPF, Random LFO HPF+, Flanger, Deep Flanger, Mid Flanger, Flanger & LPF, Flanger & Delay, Infinite LFO Flanger, Phaser, Mid Phaser, Phaser & Delay, Step Phaser, Auto Pan, Mid Auto Pan, Slicer, Mid Slicer, Slicer & LPF, Slicer & HPF, Delay, Smooth Delay, Low Cut Delay, Ping Pong Delay, LCR Delay, 3 band Delay, Multi Tap Delay, BPF Time Slide, Reverse Delay & HPF, Reverse Delay Mix, Gate Reverb & Delay, Delay & Reverb, Tape Echo, Dub Echo, Feedback Echo, Reverb, Reverb 2, Spring Reverb, Gate Reverb, Reverse Gate Reverb, 3 band Gate Reverb, Grain Shifter, Mid Grain Shifter, Mid Grain Shifter+, Grain & HPF, Grain & HPF+, Looper Forward/Reverse, Vinyl Looper, Rewind Spin Looper, Looper & LPF, Looper & HPF, Looper & Flanger, Looper & Pitch Shifter, Looper & Decimator, Looper Isolator & HPF, Looper & Isolator+, Bass Looper, Looper & Oscillator, Looper & Noise, Unison Saw Bass, Unison Squ Bass, Unison Saw Synth, Unison Squ Synth, Metalic Synth, Siren, LFO Sin, LFO Squ, Noise, Synth & Looper
	Numbers of effects:
		100
	Connectors:
		LINE IN jacks (RCA phono jacks), LINE OUT jacks (RCA phono jacks), HEADPHONES jack (stereo mini jack)
	Sampling Frequency:
		48kHz
	AD/DA:
		24-bit linear
	Power Supply:
		four alkaline AA (LR6) batteries (6 V)
	Battery Life:
		approx. five hours (with alkaline batteries)
	Dimensions:
		4.17 (W) x 5.08 (D) x 1.14 (H) inches/ 106 (W) x 129 (D) x 29 (H) mm
	Weight:
		154 g / 5.43 oz. (without batteries)
	Included Item:
		Four AA batteries
	Optional Accessories:
		AC adapter model – 405012500/KA193 (Sold separately)  4.5V 500ma Center Pin (+)

With the Rox.8 USX a compact mixer for all producers and live acts has been created that is equally designed for mobile and studio application. If required, four professional microphones can be provided with optional phantom power and amplified via high-quality preamps with adjustable trim controls. Two further stereo-line inputs make the connection complete and they can be smoothly adjusted via a warm sounding 3 band EQ and balance controls. Those who would like to add a finishing touch to their vocals or other sudio material, can do this with the integrated effect unit: Sinn7 has given the mixer a high-quality digital reverb/echo that is individually adjustable and selectable. External effect devices can also be integrated and individually be grinded in on every channel. The multi-functional studio mixer has been expanded with a reasonable feature coming from the harddisk recording sector: an integrated USB audio interface. Due to true 16 bit and 44 kHz studio quality, every single track can be recorded on a computer via master out and then be rerouted to the mixer. This is also an imense advantage for live gigs in combination with virtual instruments or drum machines as no further interface is necessary. Of course this is all plug-n-play - connect and commence.

• Compact 8 channel PRO low-noise studio mixer and USB audio interface all in one device
• Integrated digital reverb/echo unit, adjustable via various presets
• Integrated 16 bit stereo USB audio interface with high-quality 48 kHz converters in order to carry audio signals between a computer and the Rox mixer
• Low-noise, first-class sound characteristics with a lot of headroom
• High-quality components and especially robust construction
• 4 mono/line inputs with optional 48 V phantom power
• 2 symmetric stereo-line inputs
• High-quality mic preamps with trim function
• Supports professional studio condenser and dynamic microphones
• Separate control room output, adjustable
• 1 mono send and stereo return connection in order to grind in external effect devices
• Warm 3-band EQ per channel
• Aux/effect loop adjustable per channel
• Peak LED for both mic/line channels for better supervision
• Mono channels with pan regulation, stereo channels with balance regulation
• High-capacity headphones output with volume adjustment
• Especially handy potentiometers
• Precise LED volume level display
• Especially well-arranged alignment and colour-coordinated arrangement of functions guarantee quick control
• Separate symmetric master and monitor outputs
• Tape function assignable to main mix or control room

• Plug-n-Play compatible for Windows XP and Mac OS X, no further drivers necessary
• Phantom power: 48 V
• Dimensions: 302 x 89 x 247 mm
• Weight: 2.2 kg

• 128 Factory presets plus 128 user-adjustable presets total 256 programs to suit your style
• Professional 18-bit A-to-D and D-to-A conversion ensures premium quality
• Auto Level Sensing instantly sets optimal input level for you
• Assignable footswitch input extends your control of effects

Presets (Factory/User)

• 128/128

Digital Effects (reverb, delay, chorus, etc.)

• Rvrb; chrs; dly; flng; rtry; ptch

Simultaneous Effects

• 3

Programmable Wet/Dry/Mix

• Yes

Compare/Bypass

• Y/Y

Maximum Delay Time

• 1,300 ms

Maximum Pitch Shift Range (octaves)

• ±1 octave

MIDI Real-Time Control

• Yes

Simultaneous MIDI Controls

• 2

Discrete Programming Channels

• 2

ADC/DAC

• 18-bit

Overload Warning

• 18-seg LED; clip light

Inputs

• (2) 1/4"

Outputs

• (2) 1/4"

• Large, 32MB sound set with percussion bank and bass synth
• Over 500 drum and percussion sounds and 50 bass sounds
• Built-in Alesis effects: reverbs, EQs, and compression
• Pattern Play Mode enables different patterns to be triggered from the pads directly
• Programmable Drum Roll function
• 'Mute/Solo Function: mute drums, bass, and percussion
• Flexible wall (adapter included) and battery powering (six AA, not included)
• Backlit LCD
• 100 preset patterns, 100 user locations
• 12 velocity sensitive pads
• Tap tempo for instant beats exactly as you want them

• Sound set: 32MB, multi-sampled
• Polyphony: 32 voices
• Inputs: 1/4" instrument (guitar)
• Outputs: 1/4" stereo pair, 1/4" TRS, 1/4" TRS stereo headphone
• MIDI: in, out/thru
• Footswitch: two inputs – start/stop, count/A/B/fill

INCLUDES:

• SR18 drum machine
• AC adapter
• Quick start guide

Digital Audio System

The E-MU® 0404 PCI Digital Audio System delivers everything you need to produce audio on a PC at a breakthrough price - pristine 24-bit/192kHz converters*, hardware-accelerated effects and mixing, and seamless compatibility with your favorite PC audio/sequencer software. The E-MU 0404 PCI Digital Audio System offers the same hardware acceleration as the rest of E-MU's Digital Audio Systems, providing you with professional sound quality and powerful DSP an affordable price.

The E-MU 0404 features:
Premium 24-bit/192kHz converters - 111dB signal-to-noise ratio A/D converters and 116dB signal-to-noise ratio D/A converters for pristine recording and playback of your tracks
Hardware-accelerated effects - over 600 standalone and E-MU Power FX VST plug-in effects with no CPU overhead
PatchMix™ DSP zero-latency hardware mixing and monitoring - with super-fl\exible patchbay - no external mixer needed
Comprehensive analog and digital I/O plus MIDI - two analog inputs, two analog outputs, optical/coaxial S/PDIF plus MIDI I/O
Compatibility with most popular audio/sequencer applications - ultra-low latency 24-bit/192kHz ASIO 2.0 and WDM drivers
E-MU Production Tools Software Bundle - includes Cakewalk SONAR LE, Steinberg Cubase LE and Wavelab Lite, Ableton Live Lite 4 for E-MU, IK Multimedia AmpliTube LE, SFX Machine LT, plus E-MU's Proteus X LE Desktop Sound Module - everything you need to create, record, edit, master and burn is in the box

I/O Configuration:
Two 1/4" Analog Inputs and Outputs
Optical 24-bit/96kHz S/PDIF In/Out (switchable to AES/EBU)
Coaxial 24-bit/96kHz S/PDIF In/Out (switchable to AES/EBU)
MIDI In/Out

Technical Specifications:

General

Sample Rates: 44.1, 48, 96, 192kHz from internal crystal or externally supplied clock (no sample rate conversion)
Bit Depths: 24-bit I/O, 32-bit processing
PCI Specification: 
- PCI 2.2 Compliant 
- Form Factor: Universal Keyed, Short PCI Card 
- 3.3V I/O, 5V Tolerant 
- PCI Bus-Mastering DMA subsystem reduces CPU usage
E-MU E-DSP™ 32-bit DSP with 67-bit accumulator (double precision w/ 3 headroom bits)
Hardware-accelerated, 32-channel mixing, and multi-effects processing
Zero-latency direct hardware monitoring w/effects
ASIO 2.0, WDM/MME/DirectSound Drivers
Anti-Pop speaker protection minimizes noise during power on/off
Ultra-low jitter, clock subsystem: < 1 ns in PLL mode (44.1kHz, Opt. S/PDIF Sync)

Analog Line Inputs (2):

Type: DC-coupled, low-noise input circuitry
A/D converter: PCM1804
OpAmp: NJM2068
Level: -10dBV nominal, 6dBV max (unbalanced)
Frequency Response (20Hz - 20kHz): +0.20/-0.10dB
Dynamic Range (1kHz, A-weighted): 111dB
Signal-to-Noise Ratio (A-weighted): 111dB
THD+N (1kHz at -1dBFS): -100dB (.001%)
Stereo Crosstalk (1kHz at -1dBFS): < -120dB

Analog Line Outputs (2):

Type: low-noise, 3-pole low-pass differential filter
D/A converter: AK4395
Level: -10dBV nominal, 6dBV max (unbalanced)
Frequency Response (20Hz - 20kHz): + 0.05/-0.10dB,
Dynamic Range (1kHz, A-weighted): 116dB
Signal-to-Noise Ratio (A-weighted): 116dB
THD+N (1kHz at -1dBFS): -100dB (.001%)
Stereo Crosstalk (1kHz at -1dBFS): < -109dB

Digital I/O:

S/PDIF: 
- 2 in/2 out optical or coaxial (transformer coupled) 
- AES/EBU or S/PDIF format (software selectable)
MIDI: 
- 1 in, 1 out

Synchronization

Internal crystal sync at 44.1, 48, 96, 192kHz
External sample rate sync via 
- S/PDIF (opt. or coax 44.1 - 96kHz)


Retail Box Contents

E-MU 0404 PCI card
Analog I/O breakout cable
Digital I/O breakout cable
Quick Start installation guide
E-MU Digital Audio Systems CD-ROM 
- Windows® 2000, XP and XP x64 Drivers
- E-MU PatchMix DSP 
- E-MU Power FX 
- E-MU E-DSP FX Library 
- Owner's Manual and Tutorials
E-MU Production Tools software bundle CD-ROM 
- Cakewalk SONAR LE 
- Steinberg Cubase LE 
- Ableton Live 4 Lite for E-MU 
- Steinberg Wavelab Lite 
- IK Multimedia AmpliTube LE 
- Minnetonka diskWelder BRONZE (Trial) 
- SFX Machine LT 
- E-MU Proteus X LE (over 1000 sounds included)


Minimum System Requirements:

Intel® or AMD® processor - 1 GHz or faster
Intel, AMD or 100% compatible motherboard & chipset
Microsoft® Windows® XP (SP 2) or Windows XP x64
256MB System RAM
900MB of free hard disk space for full installation
PCI 2.1 compliant slot for E-MU 0404 PCI card
CD-ROM/CD-RW or DVD-ROM drive required for software installation
XVGA Video (1024 X 768)

The Rox.6 USB with integrated audio interface is the compact solution for the home-recording studio. Due to its robust construction and high-quality components it is also more than adequate for live gigs. Furthermore the low-noise technology assures a clean sound that is unmatched. Two microphones can be connected and amplified due to first-class preamps. Thanks to the selectable phantom power it is alternatively possible to connect dynamic or professional studio condenser-microphones. Two stereo line inputs offer enough room for further sources such as synthesizers or drum machines. Those who would like to improve their mix can connect effect devices via the send/return connection and grind in the signal to every channel individually. As a matter of course pan and balance control as well as a warm sounding 3 band EQ for everychannel are available. One further highlight is the integrated 16 bit USB audio interface that effortlessly establishes communication between computer and mixer. Consequently it is not necessary to purchase an expensive audio interface for harddisk recordings. Each channel is led through the master USB output. It is especially convenient that the computer output signal can be rerouted and listened to on stereo channels 5 and 6. This is a multifaceted, professional mixer at a very cheap price!

• Compact 6 channel PRO low-noise studio mixer and USB audio interface combined in one device
• Integrated 16 bit stereo USB audio interface with high-quality 48 kHz converters in order to carry audio signals between a computer and the Rox mixer
• Low-noise, first-class sound characteristics with a lot of headroom
• High-quality components and especially robust construction
• Especially well-arranged alignment and colour-coordinated arrangement of functions guarantee quick control
• 2 mono/line inputs with optional 48 V phantom power
• 2 symmetric stereo-line inputs
• High-quality mic preamps with trim function
• Supports professional studio condenser and dynamic microphones
• Separate control room output, adjustable
• 1 mono send and stereo return connection in order to grind in external effect devices
• Warm 3-band EQ per channel
• Aux/effect loop, adjustable per channel
• Peak LED for both mic/line channels for better supervision
• Mono channels with pan regulation, stereo channels with balance regulation
• High-performance headphones output with volume regulation
• Especially handy potentiometers
• Precise LED volume level display
• Well arranged alignment and colour-coordinated arrangement of all functions assure quick control
• Separate symmetric master and monitor outputs
• Tape function assignable to main mix or control room

• Plug-n-Play compatible with Windows XP and Mac OS X, no further drivers necessary
• Phantom power: 48 V
• Dimensions: 250 x 89 x 245 mm
• Weight: 1.5 kg

Presets (Factory/User)

• 16/0

Digital Effects (reverb, delay, chorus, etc.)

• Rvrb; chrs; dly; flng; rtry

Simultaneous Effects

• 3

Programmable Wet/Dry/Mix

• Yes

Compare/Bypass

• N/Y

Maximum Delay Time

• 1,300 ms

Discrete Programming Channels

• 1

ADC/DAC

Overload Warning

• Clip light

Inputs

• (2) 1/4"

Outputs

• (2) 1/4"

The smallest all-rounder from the new Sinn7 mixer family goes by the name of Rox.5 USB. Besides a microphone connection this mixer accomodates two further stereo inputs at close quarters. The extreme compactness and robust construction make the Rox.5 USB predestined for mobile use or home studios that dispose of little space. In addition to the symmetric outputs, an exceptionally high-capacity headphones output provides for a precise signal supervision. The Rox.5 USB has been provided with a 16 bit USB audio interface allow for direct digital recordings in the recording environment. This way this mixer replaces an expensive interface that would usually be necessary in order to convey one's audio files to a computer. Flexible record routing for one's audio recordings makes this device complete. Extremely small format, extremely vast features.

• Compact 5 channel PRO low noise studio mixer and USB interface combined in one device
• Integrated 16 bit stereo USB audio interface with high-quality 48 kHz converters in order to carry audio signals between a computer and the Rox mixer
• Low-noise, first-class sound characteristics with a lot of head room
• High-quality components and especially robust construction
• 1 mono mic/line input
• 2 symmetric stereo-line inputs
• High-quality mic preamp with trim function
• Supports professional studio condenser and dynamic microphones
• Warm 2-band EQ for the mic/line channel
• Peak LED for the mic/line channel for a better supervision
• Mono channel with pan regulation, stereo channels with balance adjustment
• High-performance headphones output with volume adjustment
• Especially handy potentiometers
• Precise LED display
• Well arranged alignment and colour-coordinated arrangement of all functions assure quick control
• Symmetric master output
• Tape function assignable to main mix or headphones

• Plug-n-Play compatible with Windows XP and Mac OS X, no further drivers necessary
• Dimensions: 167 x 45 x 204 mm
• Weight: 1.05 kg

Threshold (dB)

• -40 to +20 dB

Ratio

• 1:1 to inf:1

Attack Times

• 0.1 to 200 ms/prog dependent

Release Times

• 50 ms to 3 sec

Gain Control

• Output

Bypass Switch

• Yes

# of Channels/Stereo Link

• 2/Yes

Meter Type (VU, LED, etc.)

• 12-seg LED

Main I/O Types (XLR, 1/4", etc.)

• 1/4"

Sidechain I/O Types (XLR, 1/4", etc.)

• 1/4"TRS

Dimensions (WxHxD in inches)

• 19x1.7x4.5